Exhibitions & events

The Graphics Cabinets form the interior decoration in two rooms on the first floor of Mirbach Palace, having probably been commissioned by one of the original owners of the building. They are exceptional not only for their rococo stucco decorated ceilings, but also for wooden panelling into which are embedded 290 graphic sheets, engravings, etchings and mezzotints from the second half of the 17th and 18th centuries that have been secondarily coloured by unknown authors.

The installation Totems comprises a series of five unique sculptures made of burnt books on concrete bases. Individual book titles are not recognisable, however, as in the process of burning they merged into a complete sculptural work that reflect wellknown geometric forms, for example Brancusi’s pedestal sculptures, and in terms of content is connected with social utopias in the tradition of artistic avant-gardes of futurism or constructivism. Authors who systematically analyse regimes of patriarchally constructed female representation work with books as symbols of literacy, a purportedly masculine and unquestionable sign of progress. From the books, which form majestic objects in a new vertical arrangement and suggest the fragility of burning, they created irrational, difficult to verbalise, totemic figures of the language of the sculptural work.

Effective from 12. January 2026 The Bratislava City Gallery is launching a loan moratorium until 31. December 2026.

Can art set our entire body and mind in motion? The Art of Interaction exhibition focuses on ways of engaging audiences in the process of perceiving, interpreting, and creating works of art from the decades since the 1960s.

The exhibition The Centre is Elsewhere II explores trauma as a consequence of the functioning of society. The artists Klára Kusá and Andrea Uváčiková critically challenge the societal notion that a deteriorating mental state is a failure on the part of the individual.

“I want to work with clean principles. I believe that shapes, in and of themselves, have a powerful psychological impact – for example: angular, sharp, inorganic shapes convey a sense of coldness; rounded, organic shapes convey warmth; and touching rounded shapes can evoke a feeling of a tenderness, an embrace – perhaps even erotic sensations.” / Maria Bartuszová