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Central European Barock Painting and Sculpture

Place:
Mirbach Palace

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Franz Anton Maulbertsch: Visitation of virgin Mary

(Saint Luke´ s gospel 1, 39-56)

About 1760. Oil, canvas, 123,5 x 81,5 cm

 

The exhibition places great emphasis on the works of masters who contributed to the development of Baroque art in Slovakia as well as on the works of artists closely related to Bratislava, such as Jozef Kurtz, Paul Troger, Franz Anton Palko and Xaver Messerschmidt. Naturally, 18th century art in Bratislava came under the influence of Vienna, its closeness enabled to mediate artistic inspirations from French and especially from Italian Baroque art. The major subject matter included religious scenes and official portraits.

The exhibition of almost one hundred works of art documents a specific stage in the development of the history of art in Central Europe as it has been preserved in the works from the collection of Bratislava City Gallery.

The collection of prints, which form an original tapestry decoration of the walls in the first two exhibition halls on the first floor, belongs to important 18th century works. This is a unique collection of 290 copper engravings that has been preserved in Slovakia in this form. Apart from French works, there are also German, Dutch and Italian prints. The most significant cycle, created after the paintings of P. P. Rubens, depicts the life and rule of the French Queen Maria Medici.

Curator: PhDr. Želmíra Grajciarová

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Use of the artworks free of charge without the permission of the carrier of the copyrights is possible only for advertising of the exhibition.

The photographs of the works of art, which are published on the webpage of GMB advertise individual exhibitions held in GMB, underlie the protection of author’s rights according the law of copyright. GMB is not the owner of the copyrights; it is the author, respectively his inheritors. The artwork becomes free after more than 70 years after the author’s death. The user can use the photographs of the published artworks only with the previous agreement of the author, respectively of the inheritor or the institution representing the rights of the author; otherwise the personal author’s rights are being breached.